Volume 10

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Here is the full Clinic interview based on the questions you wanted us to ask. These were compiled from our "Put your questions to…" feature that we ran in Nov/Dec 2004.
"A poor mans Blur" was how Liam Gallagher described the Kaiser Chiefs in a recent interview. Whether you agree or not, there's certainly no shame in drawing comparisons of any kind to one of the finest bands of the modern generation.
Living up to their reputation as "the best thing to come out of Leicester since Gary Lineker", Kasabian have produced a debut album more than worthy of the accolade.
When a top UK band release their first album for a period as long as 7 years, the emphasis always tends to be on what the album should be like rather than what it is like. Step forward The Prodigy - "Always Outnumbered Never Outgunned".
Graham Coxon was the quiet bespectacled guitarist in Blur.  Now, on his fifth solo album (his second since leaving Blur), Coxon has really found his own voice in terms of critical and commercial success.  This punky, yet melodic album sees Coxon rail against popular fashion and culture, and in his more tender moments he has a pop at the trouble relationships will bring.
Fried are the result of former Fine Young Cannibal's songwriter David Steele's 5-year search for "the perfect singer". Steele discovered 23-year-old gospel singer Jonte Short at the 2001 New Orleans Jazz Festival and Fried were conceived.
Berlin-based producer collective Jazzanova, behind some of leftfield dance music's most mesmerising mixes since their formation in 1996, have produced an eccentric mix of "genre hopping" musical variety, blending jazz, latin and house beats.
Nashville based brothers/cousin beardies Kings Of Leon return with an album more mature and instantly likeable than their critically-acclaimed debut, "Youth and Young Manhood".
Back in the day, Bob Geldof re-wrote the rules when, with the Boomtown Rats, he created a classic slice of piano-based rock in the shape of 'I Don't Like Mondays'.  25 years on, Keane have created a masterful rock album without a single guitar in sight or, indeed, sound.
North London duo Fred Deakin and Nick Franglen AKA Lemon Jelly return with their unique brand of downbeat madness, melody and whimsical humour.

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